Spend a Week at the Opera…

There is perhaps no better destination to further one’s appreciation for opera than in Italy, the land of its birth and, as some understandably argue, the place that still does opera best. Taking as our guides four operatic giants – Rossini, Verdi, Bizet, and Puccini – this sojourn explores a specially chosen selection of live performances at three of the great Italian opera festivals and provides a week-long immersion in the fascinating world of opera. Join us in Italy, surrounded by a most beautiful panorama of Mediterranean scenery, as we explore some of the greatest operas of all time.

Masters of Italian Opera MapOpera! Surely one of mankind’s greatest and most sublime creations! What other art form can combine the worlds of drama, theater, classical song, dance, music, art, lighting and costume in one powerful and emotional arena? What other art form can offer a roller coaster of an evening with a symphony orchestra, full mixed chorus and star vocal soloists, and can transport us in an instant – live in front of our very eyes – from huge scenes of epic proportion to the most intimate of human moments? No wonder then that this unique creation has found such cross-cultural acceptance that there are few major cities that today do not boast an opera house. Opera’s themes, so full of relevance and appeal, permeate all levels of society and are sourced for events as diverse as football competitions and television advertisements alike. Opera’s innate gravitas is frequently invoked for occasions where a powerful union of music and words is required to pack an immediate, powerful, and recognizable punch.

But as any opera lover knows, cultivating a learned appreciation for the multi-layered richness that opera affords is surely a lifelong endeavor. And each new performance presents yet another opportunity to discover more of the fine subtleties and unique textures that good productions so often reveal. This sojourn presents an outstanding opportunity to do exactly that in the very land where opera originated. Traveling under the expert guidance of Maestro David Drummond – himself an internationally respected opera conductor and teacher – we attend performances of some of the most celebrated operas of all time while we ponder just how the diverse artistic components of opera are fused into a single organic unity capable of inspiring an emotional response in us all.

Our sojourn takes us to three of Italy’s most elegant locations where opera is celebrated each summer. We begin in Torre del Lago Puccini. Set on the beautiful Ligurian coast, just a short distance north of Pisa, the famed Puccini Opera Festival boasts its own spectacular lakeside arena built specifically for this annual event. Here we explore the works of the distinguished composer whose very name has become synonymous with great opera. Puccini was not only responsible for the verismo style but also for such all-time popular hits as Nessun dorma, Vissi d’arte, and E lucevan le stelle. Our sojourn gets off to a resounding start since the latter two arias both feature in Tosca, a performance of which provides our opening night’s entertainment and becomes the highlight of our time here.

From Torre del Lago we journey directly across the Italian peninsula to Pesaro for highly coveted seats at the Rossini Opera festival. Here on the Adriatic coast, in this charming seaside resort where Pavarotti once made his home, we immerse ourselves in the festival organized each August in honor of town’s most famous son. Here as well we explore the life and works of this most prolific of Italian composers, visiting his birthplace, his home, and the elegant Teatro Rossini – a century-old opera house named in the his honor. It is fortuitous that our sojourn coincides with a performance of Demetrio e Polibio, Rossini’s first opera. This rarely-heard work is charming, entertaining, and perfect for introducing us to the bel canto style that became such a feature of 19th Century Italian Opera.

Leaving Pesaro to head north, our sojourn reaches a crescendo as we arrive in the ancient city of Verona – the mecca of Italian Opera. Here, tens of thousands of opera lovers convene every summer to attend spectacular productions set against the magical backdrop of the mid-summer night’s sky in the city’s two-thousand-year-old Roman amphitheater, the Arena di Verona. As the climax of our sojourn we enjoy two very special performances, each a blockbuster in its own right. Bizet’s Carmen, one of the most popular operas of all time, provides a chance to savour operatic developments in another part of Europe. As we sit back and enjoy the swagger of the Toreador Song, the romance of the Habanera and the thrill of the Seguidilla it may seem as if we are transported to Spain if only for a few hours. No exploration of opera in any country, however, would be complete without an offering from Italy’s greatest composer – Giuseppe Verdi. His celebrated Il Trovatore is the fulfillment of our sojourn. Composed in his most inspirational period, the superb arias and exhilarating choruses, including the famous Anvil Chorus, provide a classic example of first-class opera with which to culminate our exploration.

Over the course of the week we continually nurture both our operatic taste buds and vocabulary. Between performances we explore the plots of the works we witness to give us firsthand knowledge of the dramatic structures. We take time to enhance our listening skills by examining some of the musical forms and learning to recognize the different styles of arias, choruses and ensembles. Utilizing libretti and musical examples from each of our subject operas, our tour leader illuminates for us how to distinguish themes and leitmotifs so that we can easily spot key moments as we listen. Our seminar evening discussions focus on critiquing each production and reviewing the choices made by directors, conductors, and performers.

Finally, we also take time to reflect upon how opera quickly progressed from its origins in northern Italy to become a major force across Europe, with theaters fighting for its superstars and society split by operatic gossip and hearsay. Our endeavor provides first-hand experience of why opera, more than four centuries after its beginnings in Renaissance Italy, continues to captivate audiences around the world. By the conclusion of our sojourn, we will have not only endorsed our appreciation of why opera is such an enticing, all-embracing art form, invoking passion, excitement, emotion, debate, and controversy and enthralling a global audience, but we will also have surely come a long way towards discovering just exactly how it is all that as well.

  • Tour leader, Professor David Drummond of the Royal College of Music, has conducted for both Scottish Opera and English National Opera. His engaging and entertaining presentations bring the world of opera to life
  • Two days in beautiful Viareggio, Italy to attend the Puccini Opera Festival in Torre del Lago
  • Two days on the Adriatic Coast in lovely Pesaro, Italy to attend the Rossini Opera Festival
  • Three days in historic Verona, Italy with attendance of two opera performances in the world-famous Arena di Verona
  • Privately guided tours of the homes of Puccini and Rossini
  • An afternoon excursion to the medieval village of Soave for a private wine tasting reception
  • Privately guided walking tour of the historic center of Verona, a World Heritage Site

Professor David Drummond

Royal College of Music & Royal Academy of Music
London, United Kingdom

David DrummondDavid Drummond is a professor on the coaching staff at both the Royal College of Music and the Royal Academy of Music in London. He has conducted opera for English National Opera, Gothenburg Opera, Scottish Opera, and Kharkov Opera in the Ukraine. He has also worked with a number of world-renowned orchestras including the London Mozart Players, the Kharkov Philharmonic, the Royal Philharmonic Orchestra, the Brandenburg Sinfonia, and the BBC Concert Orchestra, the later with whom he recorded the BBC’s “Olympics 2000” music. From 1991 – 2001 David served as Director of Music & Opera at University College, London where he conducted the world première of Cesar Franck’s Hulda as well as three other British premières including Sallinen’s Kullervo. Other operas David has conducted include Cosi fan Tutti, Don Giovanni, Katerina Ismailova, Turn of the Screw, Carmen, The Lighthouse, The Merry Widow, Porgy & Bess; Die Fledermaus, The Mikado, The Magic Flute, Street Scene, Le Roi d’Ys, Ruslan & Ludmilla, La Wally, Mignon, I Gioelli della Madonna, Mazeppa, The Ballad of Baby Doe, and Drot og Marsk and Boris Godunov.

Since 1996 David has been Musical Director of the renowned London Oriana Choir and has conducted this acclaimed group at all of London’s major venues, including the Royal Festival Hall, the Queen Elisabeth Hall, the Royal Albert Hall, and just last year, at the Barbican Center in a critically acclaimed performance of Elijah with Sir Thomas Allen in the title role. David has also worked with choirs throughout Britain which led to him adjudicating for the BBC Radio 3 “Choir of the Year” Competition. His choral arrangements have been commissioned by songwriters such as Beth Nielsen Chapman and rock legend Robert Plant of Led Zeppelin, with whom he performed at the famous Abbey Road Studios in February 2010. Other highlights of David’s career have been conducting Adrian Snell’s anti-war work “The Cry – A Requiem for the Lost Child” in St. Paul’s Cathedral in 2008 (which raised £30,000 for Save the Children), Star Wars in the O2 Arena and at Hampton Court Palace, the later a special performance in June, 2010 for Mikhail Gorbachev and guests such as Vanessa Redgrave, Hugh Grant and Simon le Bon. David has also been responsible for two world premiere oratorio recordings: the award-winning masterpiece Everyman by Walford-Davies and last year another first – Armstrong-Gibbs’ Odysseus with the BBC Concert Orchestra.

Travel Information

MEETING TIME AND LOCATION:
The meeting point for this sojourn is the Grand Hotel Royal in Viareggio. Participants making their own travel arrangements should plan to arrive between 10:00 and 16:00 on Sunday. The first official sojourn activity begins at 17:00 that day.

OPTIONAL AIR PACKAGE FROM $1,395/PERSON
Our air packages are designed to make all your travel convenient and seamless. They include round-trip, airfare from select North American gateways, airport transfers, and 100% travel assurance.

Recommended Reading:

The following book provides an excellent background to what this sojourn explores:

Opera 101: A Complete Guide to Learning and Loving Opera.
Plotkin, Fred. Hyperion, New York. 1994.

FAQs

Q: What kind of weather can I expect in Italy in August?

Average daytime temperatures in August range from mid-70’s to high-80’s, but it can get cool in the late evenings and night. Rain at this time is infrequent.


Q: Can I arrive before or remain after the sojourn?

If you would like to arrive at the start location in advance or remain at the end location after the sojourn has concluded, Scholarly Sojourns can help you arrange your hotel accommodation and is often able to secure attractive rates. Please indicate these preferences to us after you have registered for a particular sojourn.


Q: How much walking will be required on this sojourn?

This sojourn is one of our physically less intensive programs. That being said, we suggest that all participants be comfortable walking up to a half mile at a time and capable of climbing up to three flights of stairs.


Q: I am a single traveler, can you help me find a roommate?

Scholarly Sojourns will do all we can to match single travelers with a suitable roommate if they desire. But we cannot guarantee that roommates will be available. Therefore all single travelers should register as such and be prepared to pay the single traveler rate should a roommate not be identified.


Q: Is this sojourn appropriate for children?

This sojourn is not appropriate for children. Young adults, however, will find the program quite enjoyable, especially if they have an interest in music or the performing arts.


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Masters of Italian Opera

DEPARTURE:

Land price per person (double occupancy): $---
Land price per person (single occupancy): $---
Optional air packages from: * $---


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This Sojourn Combines Nicely With:

Land price per person (double occupancy): $4,895
Land price per person (single occupancy): $5,390
Optional air packages from: * $1,395


Special Offers:

Early-Booking Savings: Save $200/Person when you register before 11/31/2022.

Combination Discount: Save $250/Person and receive a transfer between locations when you book consecutive tours.


This Sojourn Combines Nicely With:

Anglo-Saxon Britain

Shakespeare’s England


*Optional air packages include: round-trip international airfare from select North American gateway, airport transfers at destination, and 100% travel assurance.

Price includes: Complete scholarly program of lectures, presentations, discussions, and visits led by Professor David Drummond, 7 nights hotel accommodation, all breakfasts and other meals as per itinerary, 2 cocktail receptions, tickets to 4 opera performances, all entry fees, private guides, ground transportation, all gratuities except porterage, and all other sojourn activities as detailed in the compete itinerary.

Price does not include: Airfare (unless noted otherwise); airport transfers; meals not stated in the complete itinerary; beverages options other than wine, beer, or soft-drinks with group meals; passport or visa fees and necessary photos; immunizations; travel insurance; excess baggage charges; airport taxes; medical, hospitalization or evacuation costs; gratuities for porterage; laundry and other personal items.

Payment and terms: A non-refundable deposit of $500 per person is due within fourteen (14) days of a confirmed registration. The remaining balance is due 90 days prior to the starting date of the sojourn. For more information, please see our complete Terms & Conditions.